NEUF, or the meeting of Beethoven and the accordion
Nine symphonies, nine masterpieces and much more… How, in 2020, can an accordionist pay homage to the considerable work left by the immense composer ?
New because, beyond the tribute, it is future and novelty… Evoking a genius of musical creation by new creations is the challenge and the leimotif of this project.
Nine compositions from today, signed by composers from very diverse backgrounds who have accepted to take up this challenge and each write a piece inspired by a characteristic element of Beethoven’s work.
New like this instrument still very young in the classical universe, the accordion, enveloped by the magnificent strings of the Hermès Quartet end the double bass player Édouard Macarez : a sextet which becomes the blank page of each compeser, the communication vector between the music of yesterday and today.
Nine letters, B-E-E-T-H-O-V-E-N, A-C-C-O-R-D-I-O-N, nine letters in both words but two universes until there so far so far apart… One project, for nine letters, for nine creations, so that the new floods the year 2020 and the future of accordion !
Le Programme
sous réserve de modifications
Stéphane Delplace
L’Odieuse Fugue
based on the Symphony nº 9
Fabien Waksman
Carcere Oscura
based on the Symphony nº 5
Patrice d’Ollone
Réconciliation
based on the Symphony nº 6
Thibault Perrine
In Memoriam
based on the Symphony nº 7
Domi Emorine
Tempête au Balajo
based on the Sonata “The Tempest
Corentin Apparailly
Depuis les Ombres
based on the Sonata “Au Clair de Lune”
Jean-François Zygel
Il est là
based on several major themes
Thomas Enhco
Après l’Orage
based on the Sonata opus 111
Cyrille Lehn
Tarentelle à Kreutzer
based on the Sonata “To Kreutzer
The NINE composers and their NINE creations